BEHRINGER BA 19A Condenser Mic

Made for the kick drum and the piano.

Give the low end of your band its own condenser boundary microphone. Its frequency response suits kick drums, piano and other bass-heavy instruments. It needs no external mounting.

Focus on the instrument

A half-cardioid polar pattern minimises background noise and feedback. Switchable filters give stronger lows and high-frequency attack. An integrated preamplifier and a high signal output let the sound cut through.

What to plan for

It needs 48 V phantom power and connects through a 3-pin connector. Frequency response is 50 Hz to 18 kHz. The metal construction weighs 493 g, and an impact-resistant carrying case is included.

Features

• Condenser boundary microphone: for acoustic instruments, with no external mounting required
• Made for the low end: frequency response suited to kick drums, piano and bass-heavy instruments
• Half-cardioid pattern: minimises background noise and feedback
• Switchable filters: for stronger lows and high-frequency attack
• Integrated preamplifier: a built-in preamplifier for signal integrity
• High signal output: high signal output that lets the sound cut through
• Frequency response: 50 Hz to 18 kHz
• Sensitivity: -53 dB ±3 dB at 1 kHz (1 V/Pa), with 250 Ω impedance
• 48 V phantom power: required, with a 3-pin connector
• Metal construction: metal build weighing 493 g
• Carrying case included: an impact-resistant carrying case