คลิกเพื่อขยาย
BEHRINGER XENYX X1222USB Analog Mixer
- ชนิด: มิกเซอร์อนาล็อก
- Premium ultra-low noise, high headroom analog mixer
- 4 state-of-the-art, phantom-powered XENYX Mic Preamps comparable to stand-alone boutique preamps
- 4 studio-grade compressors with super-easy "one-knob" functionality and control LED for professional vocal and instrumental sound
- Neo-classic "British" 3-band EQs for warm and musical sound
🧾 ราคานี้เป็นราคากำหนดขายจากผู้ผลิต รวมภาษีมูลค่าเพิ่มแล้ว — ไม่มีการบวก VAT เพิ่มอีก
ราคาประเมินอุปกรณ์ ไม่รวมค่าติดตั้ง · ⚠️ กรุณารอยืนยันสต็อกสินค้าก่อนสั่งซื้อ
When the room starts to ring, a fader lights up.
On Sunday morning or school concert night, the person at the mixer is often a volunteer. Feedback is the sound they fear most. The X1222USB helps them find it fast and get the mix back.
Feedback, pointed out for you
Turn on the graphic EQ and the FBQ Feedback Detection System. LEDs in the 7-band EQ faders show the critical frequencies. Lower that band a little to avoid feedback. Wedges ringing? Place the EQ in the monitor bus and do the same there.
A compressor on every mono channel
Each mono channel has a built-in compressor that squashes loud peaks and lifts quiet sections. Its 3-band British EQ gives up to 15 dB of boost or cut. The 80 Hz low cut removes unwanted low frequencies. Switchable +48 V phantom power serves condenser microphones.
Monitors, effects and music for the break
The MON send is pre-fader, so the stage mix stays put when you move a channel fader. The built-in effects processor offers 16 presets of reverb, delay and modulation. During a break, STANDBY mutes all channels with a mic connector, and music from a CD can still play. Over USB, a computer receives the main mix in stereo.
Features
- Premium ultra-low noise, high headroom analog mixer
- 4 state-of-the-art, phantom-powered XENYX Mic Preamps comparable to stand-alone boutique preamps
- 4 studio-grade compressors with super-easy "one-knob" functionality and control LED for professional vocal and instrumental sound
- Neo-classic "British" 3-band EQs for warm and musical sound
- New studio-grade FX processor with 16 editable presets including reverb, chorus, flanger, delay, pitch shifter, multi-effects, Tap function and storable user parameter settings
- Built-in stereo USB/Audio Interface to connect directly to your computer. Free audio recording, editing and podcasting software plus 150 instrument/effect plug-ins and ultra-low latency driver downloadable at www.behringer.com
- 7-band stereo graphic EQ allows precise frequency correction of monitor or main mixes
- Breathtaking XPQ 3D stereo surround effect for more vitality and enhanced stereo image
- Voice Canceller function for easy-to-use sing-along applications
- 4 fully equipped stereo input channels featuring 2 additional mic inputs on channels 5/6 and 7/8, 3-band EQ and input trim control
- Channel inserts on each mono channel for flexible connection of outboard equipment
- 2 aux sends per channel: 1 pre fader for monitoring, 1 post fader (for internal FX and/or as external send); 2 multi-functional stereo aux returns
- Balanced main mix outputs with gold-plated XLR connectors, headphone/control room output and stereo rec outputs
- Long-wearing 60-mm logarithmic-taper faders and sealed rotary controls
- Planet Earth switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
- Designed and engineered in Germany
| Mic input type | XLR, electronically balanced, discrete input circuitry |
|---|---|
| Mic E.I.N. @ 0 Ω source resistance | -134 dB / 135.7 dB A-weighted (20 Hz - 20 kHz) |
| Mic E.I.N. @ 50 Ω source resistance | -131 dB / 133.5 dB A-weighted (20 Hz - 20 kHz) |
| Mic E.I.N. @ 150 Ω source resistance | -129 dB / 130.5 dB A-weighted (20 Hz - 20 kHz) |
| Mic frequency response | <10 Hz to 150 kHz (-1 dB), <10 Hz to 200 kHz (-3 dB) |
| Mic gain range | +10 to +60 dB |
| Mic max. input level | +12 dBu @ +10 dB Gain |
| Mic input impedance | approx. 2.6 kΩ balanced |
| Mic signal-to-noise ratio | 110 dB / 112 dB A-weighted (0 dBu In @ +22 dB Gain) |
| Mic distortion (THD + N) | 0.005% / 0.004% A-weighted |
| Mono line input type | ¼" TRS connector, electronically balanced |
| Mono line input impedance | approx. 20 kΩ balanced approx. 10 kΩ unbalanced |
| Mono line gain range | -10 to +40 dB |
| Mono line max. input level | +22 dBu @ 0 dB Gain |
| Stereo channel mic input type | XLR microphone connector, electronically balanced (Channels 5/6, 7/8) |
| Stereo channel mic input impedance | approx. 2.6 kΩ balanced (Channels 5/6, 7/8) |
| Stereo channel mic gain range | 0 dB to +40 dB (Channels 5/6, 7/8) |
| Stereo channel mic max. input level | +2 dBu (Channels 5/6, 7/8) |
| Stereo line input type | 2 x ¼" TRS connector, unbalanced (Channels 9/10, 11/12) |
| Stereo line input impedance | approx. 40 kΩ @ 0 dB Gain (Channels 9/10, 11/12) |
| Stereo line gain range | -20 dB to +20 dB (Channels 9/10, 11/12) |
| Stereo line max. input level | +22 dBu @ 0 dB Gain (Channels 9/10, 11/12) |
| CD/Tape input type | RCA connectors |
| CD/Tape input impedance | approx. 10 kΩ |
| CD/Tape max. input level | +22 dBu |
| Aux return type | ¼" TRS connector, unbalanced |
| Aux return impedance | approx. 10 kΩ |
| Aux return max. input level | +22 dBu |
| Crosstalk attenuation, main fader closed | 98 dB |
| Crosstalk attenuation, channel muted | 85 dB |
| Crosstalk attenuation, channel fader muted | 85 dB |
| MON/FX send type | ¼" TS connector, unbalanced |
| MON/FX send impedance | approx. 120 Ω |
| MON/FX send max. output level | +22 dBu |
| Main output type | XLR, electronically balanced |
| Main output impedance | approx. 240 Ω balanced approx. 120 Ω unbalanced |
| Main output max. output level | +28 dBu |
| Headphone output type | ¼" TRS connector, unbalanced |
| Headphone max. output level | +19 dBu / 150 Ω (+25 dBm) |
| CD/Tape output type | RCA connectors |
| CD/Tape output impedance | approx. 1 kΩ |
| CD/Tape max. output level | +22 dBu |
| EQ mono channels, low | 80 Hz / ±15 dB |
| EQ mono channels, mid | 2.5 kHz / ±15 dB |
| EQ mono channels, high | 12 kHz / ±15 dB |
| EQ mono channels, low cut | 80 Hz, 18 dB/oct. |
| EQ stereo channels, low | 80 Hz / ±15 dB |
| EQ stereo channels, mid | 2.5 kHz / ±15 dB |
| EQ stereo channels, high | 12 kHz / ±15 dB |
| DSP | Texas Instruments |
| Converter | 24-bit Sigma-Delta 64/128-times oversampling |
| Sampling rate | 40 kHz |
| USB audio | Stereo In/Out |
| USB connector | Type B |
| USB converter | 16-bit |
| USB sample rate | 48 kHz |
| Mains voltage | 100 to 240 V~, 50 to 60 Hz |
| Power consumption | 40 W |
| Fuse | T 1.6 A H 250 V |
| Mains connection | Standard IEC receptacle |
| Ref. Code | TCR-BSKOER |
คู่มือ (Manual)
อุปกรณ์ที่ใช้งานร่วมกัน
เพิ่มความสมบูรณ์ให้ระบบ — กด “เพิ่มลงใบเสนอราคา” ได้ทันที
